
is dedicated to the use of puppetry in
experimental theatre.
Since 1995, Luna Theatre has been committed to providing audiences in the
greater Boston area with experimental adult puppetry performances that explore
diverse cultural and
artistic traditions.
We believe that theatre should be both theatrical and fantastical. Luna
Theatre combines the natural world with imagination, and traditional stories
with new ones, using puppetry, masks, and movement as creative, expressive
forms.
Luna's approach to theatre is based on collaboration and communication
across cultures. Our goal is to build a stronger arts community surrounding
puppetry for adults through interactive dialogue about artistic techniques,
artistic trends, and personal experiences in performance. We seek to explore
the roots of theatricality through shadow puppet transformations and magic. Our
work is entirely collaborative rather than relying on the traditional
directorial structure: we write, design, create, and perform original work.
Much of this work is inspired and accompanied by live vocal music, taken from
traditional Bulgarian women's folk songs, and interspersed with jazz
improvisation.
Luna has presented at diverse locations such as the Puppeteers of America
Regional Puppetry Festival, Art Beat, Lincoln Center Out-of-Doors, First Night,
Boston University, plus international appearances in Dneperopetrovsk, Ukraine,
and in Dar es Salaam, Tanzania. This dedication to diversity in the arts had
been rewarded with funding by the Somerville Arts Council, Boston Cultural
Council, the Puppeteers of America, and the Massachusetts Cultural Council.
To learn a little about our performers, keep
reading:
The founder of Luna Theatre, Dassia has been directing and performing in
productions using masks and puppetry since 1993. Locally she has worked with
Sara Peattie's Puppeteers' Cooperative and Underground Railway Theatre. She has
taught communities to make giant puppets for parades and pageants in Dnepropetrovsk,
Ukraine and performed in puppet operas directed by Amy Trompetter in New York.
Locally she has created parades for Art Beat, First Night, and Israel's 50th
Independence Day. She is currently working on her Ph.D in theatre history at
Tufts University.
Vlada Tomova (Yansa Voices
director and Luna Theatre member) is a vocalist, voice actress, puppeteer,
arranger and composer, collaborating in a number of innovative music and
interdisciplinary projects, fusing Balkan and World music traditions with
contemporary western styles. As a
studio vocalist Vlada has appeared on a number of film soundtracks, and has
collaborated with Boston’Äôs Neovoxer
film project. In addition, she has
developed a series of workshops, focusing on World Music Appreciation. Vlada is a graduate of Berklee
College of Music; based in New York, she
performs and teaches throughout the East Coast of the United States and has
toured in Europe, USA, and South America.
Most recently, Vlada founded a Bulgarian women's choir in New York; the
group specializes in village style and arranged Bulgarian singing and is
quickly gaining recognition in the city.
Maggie Whalen:
The newest member of Luna,
Maggie Whalen is not new to puppetry. She is the creator of Magpie
Puppets, a one-woman hand puppet theater based in Medford, Massachusetts.
She has been creating and performing puppet shows for children since 1969.
In 1971, she founded and directed Poor People’Äôs Puppets in NYC, which
performed in its own storefront theater from 1971-1974. In addition to
performing, Maggie has taught puppet-making workshops at schools, community
centers and even at Club Med! As a school-based occupational therapist,
Maggie is able to adjust puppet-building activities to accommodate each child’Äôs
developmental level. She is a member of the Boston Area Guild of Puppetry.
Former Members:
Bonnie Duncan:
Bonnie performs in the Boston area, blending her skills in and love of
dance, theatre, and puppetry. Bonnie teaches theatre arts and storytelling at
local elementary and middle schools. Bonnie also performs with Snappy Dance
Theatre, designs costumes for Rough and Tumble Theatre and devises her own
puppet-dance-improvisational performances for the Back Alley Theatre, Boston
Puppetry Slams, and Perishable Theatre in Providence, RI.
Lilia, one of the original collaborators on The Nose, is director and founder of Basement on the Hill
Stage in Netwon, and an occasioal performer with Luna. Most recently, she
directed Arbuzov’Äôs play The Promise at
the BCA. She has been directing
plays in the Boston area for a number of years, several of which have had
bilingual texts. She also teaches Russian Bilingual Education at Driscoll
School in Brookline.
Thanks to collaborators and volunteers:
Hannah Pendzich was one of the original members of Luna, and dedicated much
time and energy to the development of "The Nose." We are very excited
to hear that she is moving back East! Thanks to Will Cabell for performing with
us when he can! We miss you, Will! Thanks to Tali Gai for her eyes, hands,
ideas, and time. Thanks to David Giust for donating time and energy and
recording the music for us. Thanks to the Puppeteers' Cooperative for their
support.. Thanks to Masha Lazebnik, Alla Lazebnik, and Brian Posner, for
helping with puppet construction. Thanks to Wil Stackman ("Professor
Wil") and David Fichter (of Underground Railway Theater) for their design
advice. Thanks to Dan Milstein for his frequent and helpful direction.